Young Researchers Conference in Madrid

Being a PhD student has many perks, but perhaps one of the best is being funded (thank you very much to the School of Arts and Humanities’ Small Grants for Research Students scheme!) to travel abroad for research and conferences. Last week, I travelled to Madrid for my first conference abroad: the ‘First Colloquium of Young Researchers in Latin American Literature’ at the Universidad Complutense, Madrid. Between enjoying the sunshine, visiting the Reina Sofia gallery and eating about 50 different types of ham, I had an amazing time meeting other young researchers who shared my exact interests, building my network and learning so much from them. 

When the time for my presentation came, I was extremely nervous as it’s the first time that I’ve had to present in Spanish in front of an almost entirely Spanish-speaking crowd. Then when Eduardo Sánchez Rugeles, the author of the book I was about to talk about (Blue Label/Etiqueta Azul) walked in, nerves turned to terror, as I panicked that he would hate everything I said. Thankfully, the presentation went very well and he seemed to really enjoy it – more than anything he was shocked and grateful that someone from England would care so much about his work! He had also very kindly brought me a copy of his latest book, which I had desperately wanted for months.

Later that evening, another of my favourite authors, Juan Carlos Méndez Guédez, came to finish the conference with a reading from his latest book and a Q+A session. I got a free book from him too, as well as a chance to discuss his writing and my translations of his work.

So I returned to England with two books, lots of new Latin American literature enthusiast friends, key insights for my research and even a bit of a tan – bring on the next conference!

Reina Sofia: A trip through some of my favourite artworks

The Prado may be the most famous museum in Madrid, home to some of the greatest works in Spanish history by the likes of Goya and Velázquez, but I've now been to Madrid twice without stepping inside its doors. Instead, I'm always seduced by the Reina Sofia, home to key pieces from some of my favourite artistic movements. While my last visit was taken up with postwar art, especially Fluxus, (plus a room full of Dalí that I couldn't find anywhere this time), on my recent visit I finally made it to the centrepiece of the museum: Picasso's Guernica.

I've grown up with Guernica on the wall of my living room, but seeing it full size (11.5" x 25.5") still had an incredible impact on me. Picasso's 1937 protest against the fascist bombing attack which destroyed this civilian Basque tow confronts you the full terror and despair of the Spanish Civil War, and remains one of the most iconic pictures of all time. Reina Sofia adds to the original painting with preliminary sketches, photos of painting in progress and countless other anti-Franco/anti-Fascist works which put the piece in context. 

While many people apparently go straight to the Guernica and then head off to the Prado, it's a gallery where you really need time to study the pieces on display and learn about their history to really appreciate them. There is far too much in the galley to do this for everything, so I'd love to live in Madrid and take a room or two at a time until I'd seen the whole place properly. The Reina Sofia is like a walk through the European Avant-Garde class I took in second year - my favourite of all the courses I've ever taken - in which we explored Dada, Futurism and Surrealism. All of the key pieces from those movements are there, from the Lumière Brothers' hypnotising Serpentine Dance (1899) to Francis Picabia's Portrait of a Young American Girl in a State of Nudity (1915), exploring in very different ways the power of the machine in creating modern identities. I particularly loved seeing an original copy of Blaise Cendrars' poem The Prose of the Transiberian and the Little Jehanne de France beautifully illustrated by Sonia Delauny (enough copies were made so that if they stood end to end they would reach the top of the Eiffel Tower).

As well as the European Avant-Gardes, Reina Sofia is home to twentieth century Spanish greats: Mirò, Tapiès, Picasso (as we've seen above), Dalí, and lesser known artists like Juan Gris, all of whom prove the immense, unparalleled creativity emanating from Spain.

Picasso, The Painter and the Model, 1963

Joan Mirò, Woman and Dog In Front of the Moon, 1936

I'm looking forward to my next trip, when I can take more time to discover some new pieces.